The X100T re-purposes the top-plate Fn button to operate movie recording by default, but I changed it back to set ISO, as on previous models. As the expanded ISOs are those most likely to benefit from careful processing (ISO 100 due to limited highlight range, ISO 12,800-51,200 due to noise), this decision looks rather strange. An X-Trans processor completes the package.Ī sensitivity range of ISO 200-6400 is available for raw shooters, with an expanded range of ISO 100-51,200 if you’re happy to shoot only JPEGs. The sensor also has phase-detection elements in its central region to assist with autofocus. This in turn allows the elimination of the optical low-pass filter that’s conventionally used to counter moiré effects. This chip eschews a conventional Bayer-pattern colour filter array in favour of Fujifilm’s own semi-randomised arrangement, which reduces the sensor’s susceptibility to giving false colour artefacts. So it has a 23mm f/2 lens (equivalent to 35mm on full frame) and a 16.3-million-pixel, APS-C size X-Trans CMOS II sensor. While the X100T gains plenty of changes over its predecessor, its imaging core remains the same. Yet perhaps the most interesting update is its advanced hybrid viewfinder, which allows an electronic view of the subject to be projected into the lower-right corner of the optical viewfinder, giving a handy visual check of correct focus during shooting. The X100T (T for ‘Third’) continues the process, with a range of control refinements to improve the shooting experience, and bring the camera more into line with the company’s X-system compact system cameras. The second version – the X100S – added Fujifilm’s unique X-Trans CMOS sensor, and a number of other hardware updates bringing much-needed improvements in speed and operational performance. In its original incarnation, the X100 was distinctly quirky and buggy, but Fujifilm applied its kaizen philosophy of continuous improvement, releasing a series of major firmware updates that transformed its usability. With its unique hybrid optical/electronic viewfinder, traditional control dials and classy good looks, not to mention excellent image quality, the X100 quickly established itself as a favourite among enthusiast photographers. It is a little over four years since Fujifilm first showed off the X100 premium compact, which marked a distinct change in direction (and fortune) for the company. Advanced hybrid viewfinder with 2.36-million-dot EVF.16-millon-pixel, APS-C X-Trans CMOS II sensor.Improve your Photoshop and Lightroom skills with a 1-2-1 training session.Fujifilm X100T Review – Introduction/Features At a Glance To find out more and order your copy click here Easy to follow and accessible for readers of all levels of knowledge, The Digital Darkroom is the definitive guide to post-processing for users of Adobe Photoshop and Affinity Photo. Just as darkroom techniques were important skills to learn in the days of film, a clear understanding of post-processing is now key to getting the most out of your digital pictures. Photo editing is a vital part of the image-making process. My new book, The Digital Darkroom: The Definitive Guide to Photo Editing is now available. The Digital Darkroom: The Definitive Guide to Photo Editing How to apply Fujifilm Film Simulation Modes with older versions of Lightroom ClassicĮxamples of Fujifilm Film Simulation ModesĬlick on the image above to see the full size version to compare the effects of the different Film Simulation Modes How to apply Fujifilm Film Simulation Modes with newer versions of Lightroom Classic To see a list of the best accessories for the Fujifilm X100V and X100 series cameras click here. Within some of the film simulations there are additional options to select.īelow are two videos showing how to apply Film Simulation Modes in newer and older versions of Lightroom Classic. If you’re using an older Fujifilm camera such as the X-Pro 1 or X-E1, you can still apply a slightly smaller number of modes than with a newer camera such as the X-Pro 3, X-T4 and X100V. With the latest Fujifilm cameras you can enjoy a range of Film Simulation Modes covering colour and black & white film styles. Here’s are two tutorials to show you how o apply Fujifilm Film Simulation Modes… Raw files obviously don’t carry the film simulation data, so what happens when you shoot Raw? The simple answer, if you process your shots using Adobe Camera Raw or Lightroom, is that you can apply them as a profile during processing. These are a selection of settings that simulate the look and feel of some of Fujifilm’s best loved films including Provia, Velvia, Astia and many more. One of the great things about Fujifilm cameras is the ability to apply Film Simulation Modes to your JPEGs in-camera.
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